SOUND ON SOUND
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What do you get when you cross a recording musician with a photographer? A nice-looking studio that serves a dual purpose, thats what...
The subject of clocking in digital audio systems is often a hazy area of understanding among us users, perhaps because we've been turned off by propellerheads who love arguing about it. Here's what you need to know in Pro Tools from a practical angle.
Emagic have slicked up the popular Logic sequencer line with a few coats of metalic paint and some sparkly new features to match. Paul White goes Platinum with the top of the range.
This month we look at why MIDI interfaces aren't always to blame for your MIDI timing problems, and report on the latest news regarding Yamaha's Open Plug-in Technology.
Pro Tools has made a leap to 24-bit, but does the increased theoretical quality really translate to a better sound, and it is worth the extra money? Mike Collins finds out.
Is BIAS Peak the natural successor to the ageing Sound Designer II, or can the old dog still show it some tricks? Paul White finds out.
Yamaha's new CD-ROM burner comes with the option of a cut-price copy of Toast 3.5, allowing you to create backups, burn CDs, and even make your own CD-ROMs. Paul White tries out the combination.
If you record music on a computer, you have a huge amount of irreplaceable data that needs to be backed up. However, traditional data protection strategies have been expensive or tedious to operate. The solution? RAID on...
Top producer RedOne has had hits with dozens of artists, but relies on one man to “finish” tracks like Nicki Minaj’s ‘Starships’: engineer Trevor Muzzy.
Could this be the holy grail of studio acoustics — a room correction system that actually works?
We help singer-songwriter Jamie Knight make the most of his recording space, and advise on separation when recording multiple sources simultaneously.
Another look at another reader's studio.
Finding an affordable keyboard with a good weighted action and a healthy selection of sounds suitable for studio and live use isn't as easy as you might think. Could Yamaha's S08 be the Holy Grail?
Roll out the red carpet, dim the lights and raise the curtains - it's showtime for this big jazzy production from Fable Sounds...
David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.
If you never venture into Sonar's off-line DSP section, now could be the time to check it out, following Cakewalk's v5 revamp of these useful functions.
Confused by DirectSound driver options? Martin Walker explains them all, recaps on the Millennium bug and makes a packet with his CD-RW drive.
Euphonix's EuCon control protocol first saw the light of day in their high-end digital mixers. Now it has the potential to revolutionise the world of the project studio.