SOUND ON SOUND
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Paul White reveals a few of the less well-trodden paths hidden within your mixer's routing system.
John Porter made his name with British indie and rock music — but is now arguably the world’s leading producer of blues records.
The most lavish recording facility ever built is not in London, New York or LA, but a remote part of South Africa. We trace the extraordinary story of BOP Studios.
This unique hybrid eight-bus mixing desk brings a welcome alternative to the established options.
Fishman have taken their popular Loudbox 100 and given it a fresh lick of paint, more powerful amplifiers and a welcome new effects section.
M-Audio's debut synth may have a pristine white exterior, but it hides a sample-based synthesis engine capable of getting down and dirty...
Kurzweil instruments are often more complex than they initially appear, and that's certainly the case with the Artis...
The Civil Wars chose to avoid the usual studio trickery for their debut album, and have reaped great success as a result.
Can this digital mixer perform equally well in both recording studio and live sound worlds?
Small rooms are always challenging, but there are some fundamental principles that can help you keep problems to a minimum.
We visit a reader's studio in a converted garage to improve the acoustics, and to advise on mic selection and recording techniques for electric and acoustic guitar.
This new USB-equipped mixer has a control surface and a separate I/O unit, but are two boxes better than one?
If you want to incorporate live drumming into your sequencer-based productions, your drummer will almost certainly have to play along to some sort of click track. However, if you're not careful, it could easily end up being more a hindrance than a help.
Tannoy’s Reveal monitors have long been popular among home‑studio owners on a budget. How does the baby of the new range compare with the competition?
There's more useful stuff than you can shake a stick at this month, including advice on input monitoring, ways to get around latency issues, and news of CD-burning and audio networking applications to make your life easier.
Is there any benefit in optional digital converters? How can I get my MOTU FastLane to work with OMS and Cubase? Will I have problems running dual monitors on the latest Macs? Why do my final mixes always end up in mono? Is there a way to bounce mixes in Ableton Live? Can you recommend a cheap and simple PC software sampler?
Dean McCarthy from London is the lucky winner of the Sound On Sound Dream Studio giveaway: a whopping bundle of £20,000 worth of equipment.
Reason has evolved in splendid isolation from other production tools, but version 7 sees Propellerhead build bridges to the outside world.
To achieve success as a self‑producing voiceover artist, you need to be much more than a good recording engineer...
Arturia have broken away from their soft-synth roots with the MiniBrute, a 100 percent analogue monosynth. We put it to the test in our world-exclusive review.