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Signal Processors

Displaying 43 - 56 of 56 items
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    Lexicon PCM90

    Digital Reverberator

    Descending Mosses-like from the mount, Lexicon's new dedicated reverb processor brings intelligence from the company's top-end reverbs. Paul White gets a debriefing...

    Reviews May 1996
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    Yamaha Pro R3

    Digital Reverberator

    It looks like a flagship reverb, yet it checks in at the price of a jet ski. Paul White cuts a dash with Yamaha's versatile new digital reverb.

    Reviews Apr 1996
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    Compression & Limiting

    Exploration

    Paul White looks at the many parameters which govern compression, how to improve your recording technique, and how not to throw the baby out with the bathwater.

    Techniques Apr 1996
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    Roland RSS10

    Sound Space Processor

    Paul White goes beyond the final frontier with Roland's latest 3D sound processor.

    Reviews Mar 1996
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    TL Audio VI-1

    Valve Interface

    Paul White checks out a signal processor with no knobs, no buttons and no display, designed to add valve warmth to 8-track recording.

    Reviews Mar 1996
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    Alesis Microverb IV

    Reverb

    Alesis reverbs seem to get ever-more cheap and cheerful. But can low price and simplicity go hand in hand with studio-quality performance? Paul White finds out.

    Reviews Mar 1996
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    Behringer Ultra-curve

    Signal Processor

    Paul White plugs into the all-singing, all dancing digital box that can perform graphic, parametric and shelving EQ functions all at once — and even handle real-time room analysis and auto EQ'ing during its quieter moments...

    Reviews Mar 1996
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    Digitech RPM1

    Valve Rotary Speaker Simulator

    There have been Leslie simulators before, but none to exploit the sympathetic warmth of valves.

    Reviews Feb 1996
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    Digitech Studio Quad

    Digital Effects Processor

    Paul White tries to pigeonhole Digitech's new effects unit — but quickly discovers that it can mean different things to different users.

    Reviews Feb 1996
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    Digitech TSR6

    Stereo Effects Processor

    Digitech have trimmed back both price and features for the latest addition to the TSR effects family. But does the newcomer offer enough bang per buck?

    Reviews Feb 1996
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    Rocktron Hush IICX

    Single-ended Noise Reduction System

    Can a low-cost processor really clean up noisy recordings effectively? Paul White finds out.

    Reviews Feb 1996
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    EQ: A New Perspective

    Exploration

    You might think that EQ is simply a tone control, but as Paul White explains, it's really a powerful mind-manipulating tool inextricably linked to the survival of the species!

    Techniques Feb 1996
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    Drawmer DS201 Dual Gate Tips

    Practical Gating Techniques

    There's more to gating than just getting rid of unwanted noise: the humble noise gate is capable of truly creative studio trickery. David Mellor reveals some of the unusual uses for your Drawmer DS201, but if you don't own a DS201, don't despair: these tips can be adapted for most good quality gates.

    Techniques Jan 1996
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    Fita Live

    Single Channel Parametric EQ

    Where equalisers are concerned, quality is more important than quantity, but does this Swiss-made equaliser justify its hefty price tag? Paul White finds out.

    Reviews Jan 1996

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