Synthesizers

Are the motorised knobs of Melbourne Instruments’ debut synth a gimmick, or should all synths have them?

Sometimes Knobula’s Pianophonic module sounds a whole lot like a piano, sometimes it just sounds piano‑ish, and sometimes it sounds nothing like a piano.

The Triple Cross is a three‑channel stereo crossfader and panner with some rather powerful tricks up its sleeve.

Reason’s new Objekt synth takes physical modelling in a new direction.

Dave Smith’s last synthesizer is a worthy farewell from a man who gave the synth world so much.

Can the Synclavier Regen live up to the near legendary status of its ancestors?