SOUND ON SOUND
We explore some of the advanced parallel compression techniques used by top mix engineer Michael Brauer — and how you can recreate them using Cubase.
You'd have to be bloody serious about Taiko to want 2.3GB of multisamples, but the instrument's ubiquity in high‑octane film and TV scores has led Nine Volt Audio to take it very seriously indeed.
IKs original T-Racks invented the idea of one-stop shop software for master processing. Do the improvements in version 3 keep it ahead of its rivals?
Links to the MP3 preview and high-resolution WAV files that accompany the SOS March 2009 Mix Rescue article for our newsstand/bookstore readers who do not have eSub-access to the main web article.
Getting the macrodynamics of a song right while also nailing down the important rhythm can be a real challenge. We explore some techniques for tackling this and more on Moosmusics Big Dummy Shake.
Adding character to a vocal with transformer emulations, multing instrument parts to vary the effects throughout the song, and tweaking the arrangement... There are no limits to a Mix Rescuers job!
Here are the links to the MP3 and WAV files that accompany the SOS February 2009 Mix Rescue article for our newsstand/bookstore readers who do not have eSub-access to the main web article and don't fancy typing in all the long URL links.
Virtual instruments haven't taken over the world quite yet: the hardware drum machine concept is still alive and kicking, as demonstrated by Alesis' follow-up to their incredibly popular and long-lived SR16. Is the '18 destined to match its older brother's 20-year reign?
Ian Boddy has been involved in the experimental electronic music scene for 25 years, and SOS readers will doubtless be...
Akai's MPC has been with us for 20 years now — an incredibly long time in music production. So is the latest addition to this venerable range, the MPC5000, a worthy bearer of its standard?