SOUND ON SOUND
For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
New iOS tool lets you create a personalised head-related transfer function.
Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.
David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.
Spatial audio. 3D music. 360‑degree sound. Call it what you will, immersive audio is a hot topic. And while researching...
Immersive audio has huge creative potential for music production, but it can be hard to get your head around. Here’s the explanation you’ve been waiting for!
While it’s too early to pronounce immersive music a commercial success, it would be a mistake to write it off as an attempt to repackage old ideas...
There's a lot more to 5.1 surround sound production than stereo with extra channels — new, bewildering terms and concepts abound. This month, we explain Metadata, Upmixing, Downmixing, and look at what that centre speaker actually does...
