SOUND ON SOUND
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Make your digital synth put on an analogue hat. Does the current passion for analogue mean you have to put your digital synth back in its box and track down an analogue instrument? Not if Nick Magnus has anything to do with it!
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
There's more to vocoders than 'Mister Blue Sky' — and with the vocoders available on some current multi-effects processors, creative vocoding is now available to almost anyone.
In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.
Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.
We turn our attention to uprating studio walls, as well as techniques for building sound‑isolating partitions.
This month, we examine doors and windows, the most vulnerable areas when it comes to sound leakage.
SOS begins an in‑depth series on practical studio design. This month, the emphasis is on measures you can take to soundproof your studio or practice room.
Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series.
Always eager to expand their experiences, Mainframe duo Murray Munro and John Malloy talk to Ian Gilby about the processes involved in the shooting of the promo video that accompanied their recent Polydor single release.
