
QuickTime v.2.0
Martin Russ dishes up the latest Apple news, explains how to make your own aliases, and even casually prophesies the death of MIDI. But first, he sets the record straight concerning QuickTime v.2.0...

Martin Russ dishes up the latest Apple news, explains how to make your own aliases, and even casually prophesies the death of MIDI. But first, he sets the record straight concerning QuickTime v.2.0...

Brian Heywood surveys the latest in software and hard disk recording developments shown at the APRS exhibition and reveals how you can go deeper into cyberspace with the Performing Arts Network...

This month, Vic Lennard takes a short trip down sequencer memory lane...

Few things can be more frustrating than having a recording system plagued by hum. Paul White explains the causes of hum-inducing ground loops, and offers practical advice on how to avoid them.

Sampled piano aficionados know the particular problems involved in constructing a good loop of this essential instrument. Craig Anderton passes on a personal solution.

Paul Austin auditions the ultimate in Amiga sequencing — Bars&Pipes Professional 2.5.

Most of us can set up a suitable vocal reverb treatment, but what's the best way to deal with all those synthesized and sampled instruments? Paul White offers a few suggestions.

Brian Heywood brings you the latest PC news, and tells you how to get on the 'information superhighway' — free of charge! But first, the news...

Martin Russ brings you the latest Apple news, and shows you how to double your RAM — without severe silicon surgery...

Computer-literate musicians are well placed to take advantage of multimedia technology. You know all about the sound — now what about the visuals? Panicos Georghiades and Gabriel Jacobs give an introduction to desktop video on the PC.

Love it or loathe it, the analogue cassette looks set to be the primary medium for the distribution of recorded music for the foreseeable future, and we have to make the best of it. Paul White shows you how...

For the benefit of those adding a MIDI sequencer to their multitrack tape facilities, Paul White explains the various synchronisation options.

David Mellor takes the mystery out of hard disk recording and CD pre-mastering, with an explanation of how to get up and running with a Mac and three popular software packages.

This month, Vic Lennard investigates the true cost of 'going digital'...

24 tracks? Pah! How about a whopping 24 notes? Steve Howell concludes his series on the modular system of yore by taking a look at the somewhat capacitorially-challenged analogue sequencer...

Paul Austin looks on as the Amiga's ultimate direct-to-disk sampling system finally gets the software it deserves...

Recording the spoken word requires a slightly different approach to recording vocals, and intelligibility takes over from musicality as the prime consideration. Paul White spreads the word.

This month, Brian Heywood presents his round-up of the MEMS show, and takes a look at Media Vision's Memphis multimedia upgrade.

In a packed column this month, Martin Russ looks at MIDI machine control, FreeMIDI, the Mac serial port, and even manages to mention the latest Apple news. He kicks off with a look at Performer 5.0.

Having surfaced from the depths of the previous instalment, Steve Howell takes a deep breath and plunges back into his explaination of some of the modulation possibilities afforded by modular analogue synths...