SOUND ON SOUND
Kemper finally have a floorboard version of their groundbreaking Profiling Amplifier. Has it been worth the wait?
With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.
These audio examples accompany our Kemper Profiler Stage review from SOS December 2019.
With spill between instruments and bleed from backline and monitors, live‑performance recordings present unique mixing...
Widely touted as Boss's response to UA's popular OX, the Tube Amp Expander actually offers a contrasting approach. Will one of them be a clear winner?
There are plenty of very heavily distorted examples already out there to be heard, but I’ve gone for some tones that I think challenge the technology a little more.
IsoAcoustics apply their proven decoupling technology to the guitar/bass speaker and amp markets.
Industry veteran Phil Dudderidge, now 70, may have plenty to look back on, but he’s still looking forward as Focusrite enters its 30th year.
Struggling to make amp modelling work on stage? Something just 'not quite right' in the feel? Maybe Celestion's new speaker will make all the difference.
Don’t have a great-sounding room? Can’t turn your amp up to get the sounds you want? Want to turn down your speaker without sacrificing your tube amp’s tonality? Maybe this changes everything...