SOUND ON SOUND
Kemper finally have a floorboard version of their groundbreaking Profiling Amplifier. Has it been worth the wait?
With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.
There are plenty of very heavily distorted examples already out there to be heard, but I’ve gone for some tones that I think challenge the technology a little more.
IsoAcoustics apply their proven decoupling technology to the guitar/bass speaker and amp markets.
Widely touted as Boss's response to UA's popular OX, the Tube Amp Expander actually offers a contrasting approach. Will one of them be a clear winner?
Struggling to make amp modelling work on stage? Something just 'not quite right' in the feel? Maybe Celestion's new speaker will make all the difference.
Industry veteran Phil Dudderidge, now 70, may have plenty to look back on, but he’s still looking forward as Focusrite enters its 30th year.
Don’t have a great-sounding room? Can’t turn your amp up to get the sounds you want? Want to turn down your speaker without sacrificing your tube amp’s tonality? Maybe this changes everything...
Mackie enter the in-ear-monitor market with three models offering top-notch performance, comfort and durability at Mackie value-for-money pricing.
Mission Engineering’s 529 is designed to convert the 5V of direct current available from any USB power source into the 9V DC used by most of the world’s guitar effects pedals.