Using a combination of dummy load and speaker simulator lets you record your favourite valve guitar amp at full tilt without disturbing your neighbours. The trouble is, none of the designs so far have managed to sound close enough to a real speaker. Could this be the one that finally nails it?
This digital processing unit promises a whole new level of realism from acoustic guitar pickups. Although primarily aimed at live performance, could it be a serious option for the studio too?
Can you give me some compressor tips to make heavy guitars sound more full and even? For example, I want single-note melodies to sound as full as chords or power chords. Also I want to give palm-muted power chords more pump or bite. I'm using the built-in dynamic processors on a Yamaha 03D mixer.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.