Using a combination of dummy load and speaker simulator lets you record your favourite valve guitar amp at full tilt without disturbing your neighbours. The trouble is, none of the designs so far have managed to sound close enough to a real speaker. Could this be the one that finally nails it?
This digital processing unit promises a whole new level of realism from acoustic guitar pickups. Although primarily aimed at live performance, could it be a serious option for the studio too?
Can you give me some compressor tips to make heavy guitars sound more full and even? For example, I want single-note melodies to sound as full as chords or power chords. Also I want to give palm-muted power chords more pump or bite. I'm using the built-in dynamic processors on a Yamaha 03D mixer.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.
The effects engine of the feted G Force at half the price! What more could you want? TC Electronic's new G Major guitar multi-effects processor sets out to redefine the price/performance ratio.
The 'producers' producer', the 'guitarists' guitarist': Jay Graydon is back, with a new album and a renewed hunger for success. Always the consummate studio craftsman, when he talks technique, it's worth listening...
At last, an easy way of consistently getting a polished, 'produced' bass guitar sound in your recordings! Dave Lockwood tests a physical modelling processor that bass players and engineers alike will welcome.
Physical modelling has always held out the best hope for producing realistic miked-up amp tones from a DI processor, and many recording guitarists found their prayers answered when Line 6 launched the Pod. But does this new contender in the field have anything more to offer? Dave Lockwood gets physical with the J Station.