This digital processing unit promises a whole new level of realism from acoustic guitar pickups. Although primarily aimed at live performance, could it be a serious option for the studio too?
Can you give me some compressor tips to make heavy guitars sound more full and even? For example, I want single-note melodies to sound as full as chords or power chords. Also I want to give palm-muted power chords more pump or bite. I'm using the built-in dynamic processors on a Yamaha 03D mixer.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.
The effects engine of the feted G Force at half the price! What more could you want? TC Electronic's new G Major guitar multi-effects processor sets out to redefine the price/performance ratio.
The 'producers' producer', the 'guitarists' guitarist': Jay Graydon is back, with a new album and a renewed hunger for success. Always the consummate studio craftsman, when he talks technique, it's worth listening...
At last, an easy way of consistently getting a polished, 'produced' bass guitar sound in your recordings! Dave Lockwood tests a physical modelling processor that bass players and engineers alike will welcome.
Physical modelling has always held out the best hope for producing realistic miked-up amp tones from a DI processor, and many recording guitarists found their prayers answered when Line 6 launched the Pod. But does this new contender in the field have anything more to offer? Dave Lockwood gets physical with the J Station.