SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Drawmer’s latest monitor controller puts the same impressive audio quality as their MC2.1 into a new desktop format.
I have a very high quality D-A converter that boasts particularly low clock-jitter figures, so I thought it would be an ideal candidate to serve as a master clock — yet it doesn’t have a word-clock output socket!
There are countless 500-series mic preamps, equalisers, dynamics processors, reverbs, and even delays, bitcrushers and A-D...
Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!
More keenly priced than many Sound Devices products, the MixPre-3 nonetheless offers exceptional sound quality and functionality.
Why do people recommend a condenser microphone over a dynamic? I know it’s an idiot question, but I’m new to...
This stylish Russian-made microphone certainly looks the business — but can it compete with the classics?
The Pro extension to MasterCheck takes this plug-in to a whole new level, allowing the user to hear (as well as see) how a track will work on different media platforms.
Will the audio quality from an Allen & Heath XB-10 paired with a JK Audio Innkeeper telephone hybrid be better than the Allen & Heath ZED-10, also paired with an Innkeeper?
In a previous article you mentioned the importance of correct phase between satellites and subwoofer. Can you tell me what’s going on when you cannot hear any difference between 0 and 180 degrees?