SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Will the audio quality from an Allen & Heath XB-10 paired with a JK Audio Innkeeper telephone hybrid be better than the Allen & Heath ZED-10, also paired with an Innkeeper?
In a previous article you mentioned the importance of correct phase between satellites and subwoofer. Can you tell me what’s going on when you cannot hear any difference between 0 and 180 degrees?
Speaker design has come a long way since the ‘70s. Is there still room on the market (and in your studio!) for an old-school main monitor?
I’m soon going to be doing my first recording of live drums and it occurred to me that I don’t know the answer to this question...
Boasting an array of unusual and impressive features, this British high-quality channel strip really stands out from the crowd.
Whether you’re a professional working in post-production or a humble home studio user, there’s a version of iZotope’s RX restoration software to suit you.
What matters in today’s music business is not how loud your mixes are, but how dynamic. This clever new plug-in helps you get them into the zone.
I’d like to get a mic for sound-design work. Specifically, I wish to record quiet sounds, amplify them and mangle them...
As well as tackling monitoring issues, this month’s Studio SOS visit sees the team making extensive modifications to a leaky vocal booth.
The latest product to bear the Electrodyne name combines classic ‘70s console summing with modern connectivity for use with DAWs.