SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
This four-channel headphone amp sets itself apart from the crowd with a number of thoughtful and useful features.
What’s the benefit of using phantom power instead of a 9V battery to power an active DI box (specifically the Orchid Classic DI)?
We cast our eyes and ears over Mr Neve’s elegant contributions to the 500-series format.
The newest member of Neumann’s celebrated KH family of monitors might be the smallest, but it’s also the most technologically advanced.
PMC’s new entry-level monitors represent a distillation of nearly three decades of R&D.
My Soundcraft EFX12 mixer is pretty new, but when I try and use a channel with a microphone, and an insert cable running to an effects loop with various Moog pedals, I get almost no level from the mic. Can you help?
Rycote's innovative Cyclone wind shielding device has been joined by a range of Stereo Cyclones. We test the MS4 kit with a Mid‑Sides stereo array of Sennheiser MKH30/40 microphones.
Heinrich Kuttruff, the author of Room Acoustics — which was first published in 1973 and is now in its sixth edition (2017) —...
I purchased two Grace Design m201 mic preamps but I’m having trouble understanding how the m201 A‑D converter works...