SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I have a Roland RC‑30 looper pedal, but I want to be able to use a single microphone, set up so that I can use a foot pedal to switch the mic from the PA to the looper...
Sanitise dirty talk on the spot with Audionamix's effective and easy-to-use plug-in.
Radial's newest problem-solver could prove indispensible to gigging keyboardists.
Eventide's most powerful ever Harmonizer crams half a century of effects know‑how into a unit that's elegant, easy to use and — thanks to its upgradeability — completely futureproof.
'Good enough' is rarely good enough for SPL, as this thoroughly over-engineered preamp testifies!
Is the SKX the lightweight gigging Hammond you've always dreamed of?
I couldn't use the Neumann TLM103 as my 'kicksnare' mic, as it couldn't handle the sound level produced by the drummer. Even with zero gain at the preamp this mic produced a distorted signal. What was I doing wrong?
It may be the smallest mixer they've ever made, but the SiX shares more than just heritage with SSL's legendary large-format consoles.
Could you please explain what the Waves V‑Comp auto-release setting actually does? What is it trying to accomplish?
Recently I started hearing a noise in my studio around 10-15 kHz. How can I find the cause and remove this unwanted noise?