SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
After decades of development, there are now countless digital audio formats — can this black box allow them all to talk to one other?
The SOS team help a reader track down the source of some mysterious hums and buzzes!
Measurement mics are necessarily neutral and accurate, and that's often just what you want when recording music too. Gefell's newest offering, based around a measurement capsule, has those characteristics in abundance.
I've replaced my RADAR II 24-channel multitrack recorder with a RADAR Studio model. Can I reuse the three original D25‑D25 cables on the new machine?
Based on the same technology, the Iso‑Puck Mini is basically a miniaturised version of the standard Iso‑Puck.
A console manufacturer should know a thing or two about how to make a good monitor controller...
In the AEA RPQ2 ribbon mic pre review, what exactly did the reviewer mean by "Still has limited ability to remove unwanted subsonic components"?
I just purchased a pair of Neumann KH120A monitor speakers and am in the process of calibrating them for my room. Can I adjust each monitor differently?
I read that 1dB is the minimum difference in volume that can be noticed, but I often end up doing much smaller changes in mixes. Am I fooling myself?