SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Mastering is often considered a mysterious black art, but while there is certainly a lot of artistry involved Evren Göknar’s book (Routledge/Focal Press) dispels the mystery in a very readable and understandable way.
I’m trying to understand the panning being used in a particular song in which the verse has a guitar that appears to be almost completely right‑panned. However, in the chorus the guitar comes in on the left too...
We check out Grace’s compact, mastering‑quality solution for monitoring on the move.
I’m hoping to buy some bulk cable to make my own microphone and guitar leads. If I go to an electronics supplier, what should I...
SOS Technical Editor Hugh Robjohns chats to Mirek Stiles about the Spatial Audio Forum and how everyone can get involved in creating 3D audio environments using basic recording equipment.
Have you ever wished convolution reverbs could be a little more malleable?
I cannot be the only person connecting two rooms with Dante, so is there a smarter way to use Dante Via for this? Or is there a smarter, better way to connect these two rooms?
I enjoyed Hugh Robjohns’ excellent article ‘Patchbays In The Modern Studio’ [SOS December 2020] but one point he made left me confused...
My church is using Shure SE‑215CL in‑ear monitoring with PreSonus HP2 personal amplifiers, and the sound is distorted...