SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Despite its decades‑old design, the Rogers LS5/9 can still compete with some of the best monitors around today. We put this faithful recreation to the test.
Have you ever wondered what lies behind the intriguing wobbles and lush swooshes of this classic effect?
With selectable analogue drive paths and a fast limiter, this box is designed to add controllable vibe and colour as you capture your analogue mix.
Is high‑passing the Sides with an M‑S EQ. the same as making the bass mono, as with Boz’s Moongoose or...
With applications in stereo mixing and immersive surround, this plug‑in is not your typical auto‑panner!
I was wondering why we put speakers in the classic triangle with the listening point at the apex?
This book is essentially an autobiography of the author's experiences in buying and selling all manner of vintage pro‑audio equipment, combined with some fascinating history about the leading manufacturers and their products...
RME’s PCIe audio interface card gets a major overhaul.
I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?
