SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Getting good results in a small space isn't easy — but it is possible. And if you're the Technical Editor of Sound On Sound, it's also essential!
Read on to find out why we're writing about this device in a music-recording magazine...
Immersive audio is increasingly important, and requires large multi-channel monitoring systems. Grace Design's m908 is intended to provide complete control over such a system.
I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?
More photos and information of SOS Technical Editor Hugh Robjohns' home studio workspace that we were unable to publish in the print magazine. Enjoy!
In a digital S/PDIF cable, what exactly is the 75Ω specification a resistance measurement of?
The original The Box brought API's big-console sound to a new audience, and this new version should have even wider appeal.
If one of your ears is more sensitive than the other, setting a stereo image by ear will result in all your recordings having a skewed stereo soundscape. Is that correct?
Merging's desktop network interface is endowed with vast monitor-control powers.
I have a Bryston 5B, and I’d like to be able to switch between two sets of passive speakers, both driven by the Bryston, rather than buy another power amp for the second set...