SOUND ON SOUND
We caught up with the man who’s spent nearly half a century in charge of live sound for one of the biggest bands in the world.
One of the most powerful of last year’s World War One centenary projects came from an unexpected source: legends of industrial music Einstürzende Neubauten.
The Horrors take studio experimentation to new extremes, even designing and making a lot of their own equipment.
Producer and engineer John Congleton has worked on anything and everything — the more unfamiliar, the better!
Izzat Majeed single‑handedly resuscitated Pakistan's moribund music scene — and built a state‑of‑the‑art studio to capture the results.
Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.
Shahid Khan has gone from pizza delivery man to in-demand producer — with a little help from Noel Edmonds.
Mike Stevens has worked with some of the world’s biggest pop acts at countless high-profile live events, including the Queen’s recent Diamond Jubilee concert.
John Porter made his name with British indie and rock music — but is now arguably the world’s leading producer of blues records.
Legendary sound engineer Keith Grant oversaw a golden age of music recording. Before his death earlier this year, he shared with Sound On Sound his memories of the studio he managed for a quarter of a century.