SOUND ON SOUND
Looptrotter’s products to date have appealed to me enormously. They’re all variations on the saturation theme, and it’s a gorgeous-sounding saturation too.
I’ve been aware of Sound Radix’s SurferEQ for a few years now but, for some reason, have only recently managed to...
This novel 500-series module has the potential to be any processor you want!
How exactly does one review a backpack in a music technology magazine? I mean, when it comes to lugging your music gear...
Live rooms and headphones can kill the mood for some vocalists — so why not ditch the cans and record in front of your monitors?
Audio files to accompany the article.
I have an Electro-Harmonix Big Muff effects pedal that I’d like to try out on vocals, drums and possibly some other things during tracking.
With so many different interpretations of the venerable PulTec EQP-1A now available, how does this one stand out from the crowd?
I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?
Despite the abundance of right-click menus, hardware control surfaces and tablet apps for accessing the deeper-lying functions of Cubase, a detailed knowledge of its keyboard shortcuts remains essential.