SOUND ON SOUND
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years.
He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.
What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.
Blurring the boundaries between classical music and ambient electronica, Max Richter is one of the most prominent composers of his generation. As of now, he’s also a studio owner...
The idea of paying to ‘own’ software has always been problematic. What exactly is it that you possess? And what...
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.
Alder Audio’s debut ribbon mic is at once innovative, classy and highly affordable.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
The Zen Q completes Antelope Audio’s impressive trio of desktop interfaces.
This clever storage and expansion solution is intended as the perfect companion to a Mac Mini.