Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years.
He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
Tony Agnello and Richard Factor chat about the 50 year history of Eventide, from their groundbreaking use of digital technology in the early ’70s to the modern challenges of adapting their algorithms for plug-ins and stompboxes.
Bands are still recording music even though they can’t use professional studios or play together — and this means new challenges for mix engineers.
A good engineer can make bands sound better than they are. In this video, Sound On Sound's Editor In Chief Sam Inglis explains how to turn musical lead into gold...
With their debut audio interface, Black Lion Audio say they’re putting quality first.
McDSP’s unique analogue plug‑in platform continues to grow, with three impressive new processors joining the collection.
Siamäk Naghian and Andy Bensley of Genelec chat to Sam Inglis about the 43 year history of the company, the development of new technology and future sustainability.
We owe the famous saying “If it sounds right, it is right” to Joe Meek. It sounds like a truism — but only if you overlook what’s involved in deciding that something sounds right.
These audio examples accompany April 2021's Lockdown Mixdown article.
BDE, or Big Distortion Engine for long, is the second plug‑in from producer and engineer Jordan Swift.
Everyone loves classic microphones, but few of us can afford them! We survey the hundreds of modern recreations on the market, and explain what to look for when you’re choosing one for your studio.