SOUND ON SOUND
Editor In Chief Sam Inglis has been with Sound On Sound for more than 24 years, rising through the SOS staff ranks until in 2020 he took over the Editor In Chief hotseat from Paul White.
Sam is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
As well as writing, Sam can be found presenting SOS Podcasts and SOS TV YouTube Exhibition Videos on our channels.
I am hoping to raise funds to purchase equipment for a home recording studio. With this I then want to write songs...
Sam Inglis meets a man who has realised that he has to make sacrifices for his music.
Hip-hop's biggest stars have always been American, and their success has tended to overshadow artists from other countries. London-based Russian DJ Vadim, however, is winning increasing recognition for his distinctive, cosmopolitan music. Sam Inglis finds out how he puts together his tracks.
I don't own a computer — I just use the public library's — but I want to 'upgrade' from my cassette 4‑...
The Internet was originally conceived as a resource for sharing information — and there's still quite a lot of it out there among the Star Trek sites and pirated MP3s, if you know where to look.
Music mythology has it that real drummers are illiterate, beer-swilling louts with about as much musicality as a dead dog. Nevertheless, it can be hard to find an acceptable substitute. Sam Inglis offers a few pointers.
Many recent singles have had their path onto radio playlists smoothed by an edit from Wise Buddah Music Ltd. Sam Inglis talks to founder Bill Padley about the business of producing and editing music that getss on the air.
Another SOS reader reveals their personal studio set-up.
Swiss synth manufacturers Spectral Audio continue their journey into retro space with a new analogue monosynth, the Neptune. Sam Inglis finds out if it's out of this world.
Having decided to construct a studio for their own use, Damon Albarn of Blur and his collaborators Tom Girling and Jason Cox chose to create an environment as unlike a typical commercial studio as possible. And then they fitted it with perhaps the most bizarre assortment of equipment ever collected together...