SOUND ON SOUND
Editor In Chief Sam Inglis has been with Sound On Sound for more than 24 years, rising through the SOS staff ranks until in 2020 he took over the Editor In Chief hotseat from Paul White.
Sam is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
As well as writing, Sam can be found presenting SOS Podcasts and SOS TV YouTube Exhibition Videos on our channels.
Waves are the latest software company to launch their own hardware DSP accelerators. The APA 32 and 44-M can be linked over Ethernet to form massively powerful plug-in farms.
In Cubase SX, can signals be 'routed' to a compressor's side-chain to modulate another signal?
You've recorded a real drummer, but the drum sound just doesn't cut it. Is there anything you can do to rescue things?
Jeff Wayne's classic musical adaptation of H.G Wells' novel The War Of The Worlds was a technical tour de force and an enduring commercial success. 27 years after its release, it has undergone a complete rework for 5.1 surround using Pro Tools.
Xpress Keyboards features cut-down versions of NI's B4 tonewheel organ emulation, Pro 53 Prophet 5 emulation and FM7 DX-alike.
Mini-reviews of Bizune's Bizune VST • Sonalkis SV517 • Universal Audio Precision EQ • Nusofting Microrock Pro • Fabfilter Volcano
For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.
If I limit using a Alesis Nanocompressor when recording into my Emu 1820 soundcard, can I still limit the final mix with, say, Waves' L1 Ultramaximizer without any problems?
