Editor In Chief Sam Inglis has been with Sound On Sound for more than 24 years, rising through the SOS staff ranks until in 2020 he took over the Editor In Chief hotseat from Paul White.
Sam is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
As well as writing, Sam can be found presenting SOS Podcasts and SOS TV YouTube Exhibition Videos on our channels.
Production music's sub-standard image means that many composers and producers ignore it, despite its commercial potential. Extreme Music are a London-based company who are trying to change the perception of library music.
All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?
Twenty years after Steve Levine first produced Culture Club, he reveals how he has been using a new generation of digital tools to restore those original recordings.
Producer and engineer Elliot Mazer is well known for his ongoing work with Neil Young, and was there at the birth of digital recording. Like Young, however, he's never been happy with the way it sounded — until now.
With the cult triple album 69 Love Songs, Stephin Merritt established himself as one of the most remarkable songwriters around. The Future Bible Heroes' new album sees his trademark lyrical cleverness paired with Chris Ewen's distinctive, organic electronica.
Host-based programs allowing you to build your own synthesizers from virtual modules have been around for a while. Thanks to DUY, Pro Tools TDM and HD owners can now join in the fun.