Editor In Chief Sam Inglis has been with Sound On Sound for more than 24 years, rising through the SOS staff ranks until in 2020 he took over the Editor In Chief hotseat from Paul White.
Sam is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of two books: Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
As well as writing, Sam can be found presenting SOS Podcasts and SOS TV YouTube Exhibition Videos on our channels.
This latest plug-in bundle from Waves combines their celebrated Renaissance Collections 1 and 2, with the added bonus of a new 'channel strip' plug-in.
Are computers changing the way we make music? If you're David Gledhill, the answer is an unequivocal 'yes'. Years of playing with guitar bands had left him disillusioned and on the point of giving up when he decided to experiment with recording on a PC...
Sibelius Software have won over the classical music community with their well-regarded score-writing software. Can their new G7 package do the same for guitarists?
Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?
Production music's sub-standard image means that many composers and producers ignore it, despite its commercial potential. Extreme Music are a London-based company who are trying to change the perception of library music.
All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?