SOUND ON SOUND
We show you how to make Live emulate an MPC-style workflow for composing rhythm tracks.
If you want the impact of heavily compressed drums but dont want to sacrifice your dynamics, parallel compression is the way to go. This month we explore the best ways to achieve this effect in Reason.
We return to the subject of Clip Envelopes, and discover how its possible to work around a Live limitation and record MIDI controller data into Clips in real time.
The MC Control's programmable touchscreen and 'Soft Keys' technology offer the exciting possibility of building your own custom DAW controller. Is it too good to be true? Let's find out...
Think computer music's got no soul? Think again! Join us as we explore Reason's ReGroove mixer...
Clip Envelopes offer a powerful alternative to standard track-based automation, and have many creative and practical applications, so let's see what they can do...
Side-chain compression can be the difference between a flat, lifeless mix and an adrenalised floor-filler. Learn how to capture the French house sound, and add an extra little twist.
The Nocturn uses Novation's sophisticated Automap technology to give you integrated, hands-on control of your software — and all for an almost unbelievably low price.
As Live has gradually made the transition towards fully fledged DAW, the recording side of the program has become increasingly sophisticated — so we're going to look at some tricks to make basic recording easier.
Arturia's 'hybrid instrument' teams a custom keyboard with their massive synth patch library plug-in. Is this the way forward for hardware/software integration?