Composing / Arranging / Songwriting

British-based Australian Barrington Pheloung is well known for his prolific film and television work, including the theme music to TV's Inspector Morse. One of his most challenging recent projects was the soundtrack to the biopic of Jacqueline Du Pre, Hilary And Jackie...

By the time you read this, he could be clutching his first Oscar for his soundtrack for the historic blockbuster Elizabeth. David Hirschfelder discourses with Richard Buskin about the art, science and pyschology of scoring for the moving image.

When it comes to emulating acoustic instruments, the modern orchestra probably represents the ultimate challenge. Philip Meehan shows you how to take it on and win.

Sound On Sound caught up with M People's Paul Heard, before the band headed off on their European tour. Christopher Holder puts aside his preconceptions to learn about songwriting, production, musicianship and family sedans.

Debbie Wiseman has been described as Britain's most prolific and emotionally charged film composer, with a long list of TV and cinema credits that belies her age, including the recent Oscar Wilde biopic.

This month, Big George persuades more famous musicians and arrangers to give you the benefit of their hard-won wisdom.

This month, some of the people who actually get their hands dirty with arranging — often for the household names in popular music — pass on their thoughts, hints and tips.

Big George looks at arranging for strings, brass and horns.

Great songs are 1% inspiration and 99% perspiration. Big George mops his brow and takes it to the bridge...

The first album from this chart-topping pianist and chanteuse was a million-seller; her second looks set to continue the trend. Ian Gilby was invited into the Craven home studio to discuss the enduring appeal of MOR.

Headlining the biggest electronic music festival in Europe was a US composer almost unknown in the UK. A contemporary of synth pioneer Don Buchla, Suzanne Ciani enjoys enourmous success in America, yet such recognition has eluded her so far this side of the Atlantic.

In between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No.1 single with SOS Editor Ian Gilby.

You don't know his name but you'll have heard his refrains. Composer Paul Bliss writes hits for the best of 'em using a UMI-2B sequencer package and several synthesizers. Ralph Denyer finds out how.