Converters / Clocks

With a whopping 32 analogue inputs and outputs, there’s more to this stand-alone converter than meets the eye.

My own setup is an Audient ASP880 preamp connected via ADAT to an Avid HD Omni working with Pro Tools 12.4 HD Native. Is it better to set the Audient as master for recording (and the Omni as slave)?

Could you have quality time in your studio with Black Lion’s little black box?

With eight new Air preamps and two-way ADAT connectivity, could this be the best way to expand your audio interface?

With remote control, USB audio interfacing and the sublime sonic performance for which Grace are known, the m108 doesn’t disappoint!

Audio files to accompany the article.

We take Antelope’s latest mastering–grade converter and monitor controller for a spin.

Sometimes, a full-blown multi-channel rackmounting interface is just too cumbersome and inconvenient for the task in hand.

This complex, multi-faceted device offers more than you’d imagine at first glance...

When it comes to D-A conversion, this company is called Benchmark for a reason. How have they raised the standard this time?

Is there a place for MADI audio interfacing in the project studio? SSL believe there is, and offer a range of interfaces to fill it.

The latest firmware update for Lynx's LT-HD card enables their highly regarded Aurora 16 and Aurora 8 A-D/D-A converters to emulate Avid's HD I/O converters

The A16 Ultra MkII can add 16 channels of line-level I/O to any audio interface that features MADI or dual-ADAT ports — all in the space of a 1U box and for a bargain price!

These technical specifications accompany the article

Boasting reference-quality converters, the Hilo also promises to be future-proof...