Alesis brought us Air FX, a motion-controlled effects unit, just before they ran into financial trouble in 2001, so the planned synth version never really appeared at the time. Now that they're back, the Air Synth is with us at last...
The most reliable way of preventing ground loops is to use an audio transformer to isolate the two problematic pieces of equipment from each other, and that's exactly the approach used in the Ebtech devices reviewed here.
10-channel 96/192kHz Digital Audio Interface [Mac & PC]
Price barriers continue to tumble in the soundcard market, as ESI Pro introduce an interface offering four analogue inputs and eight outputs, plus digital I/O, two mic preamps and 192kHz playback, for under £200.
The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?
We are used to the idea of using fader boxes and other MIDI controllers to manipulate our music software, but now Serato want to get us using our turntables to scratch digital audio. Can it possibly work?
Steinberg and Wizoo's latest collaboration aims to provide high-quality string sounds at an affordable price, with a software interface to make string arranging so easy that even drummers can manage it. Have they succeeded?
Formerly the East German state synth company (a great concept in itself), Vermona re-emerged last year with the MARS monophonic analogue synth. Clearly determined to win back their reputation, they've returned with the four-voice Perfourmer...
Although most major MIDI + Audio sequencing applications include bundled EQ, dynamics and reverb plug-ins, they don't always sound too great, so many users are on the lookout for alternatives, like these two from Wave Arts.
Recording a band is tough enough in the studio, but working on location adds another whole level of complexity. So here's how to overcome the inevitable setup gremlins and fix some of the most common problems at the mixdown stage.
All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?
How can I create the fat bass sound I hear on commercial productions? What are the differences between S/PDIF and AES-EBU? Are there any problems powering UK electrical equipment with Vancouver voltages? Can you recommend some omni mics for chamber recording? How can I build a suitable enclosure to reduce the noise of my computer? Is it possible to create a fake stereo track from a mono source? How can I make my MIDI controller's knobs work? How can I mix a track on a multitimbral synth?
Unquestionably the best-known name in synth design, in 2003 Bob Moog was still creating innovative electronic instruments. With the new Voyager synth about to hit the shops and the rights to use his own name restored, his star seems to be on the rise once again. SOS chats to this founding father...
When you launch a new product, it's always best to have a clear message. You buy a dishwasher because you hate washing up, you buy a car because you can't walk 20 miles to work, or wait for the bus that comes once a week; and you buy a Microsoft Smart Display because, um...
One of Hollywood's most intelligent composers, Elliot Goldenthal is equally adept at writing for the big screen as the concert hall or theatre. We talk to him about his background and approach to composition, technology and orchestration.
The shape of the music-technology market changed dramatically in 2002, with the two largest German music software companies gaining new ownership from American corporations. Have Steinberg reached the summit with Pinnacle?