
Expanding Your Effects Horizons: Part 1
Most people are familiar with basic reverb, delay and modulation effects, but what lies beyond? In the first part of a new series, Paul White explores the twilight zone of effects processing.
Most people are familiar with basic reverb, delay and modulation effects, but what lies beyond? In the first part of a new series, Paul White explores the twilight zone of effects processing.
Groove Tubes' latest trio of microphones offer a choice of diaphragm and circuit designs at competitive prices. Paul White examines the sibling rivalry...
The latest addition to Alesis's DM series of drum modules has the suffix Pro — but does it have the feature‑set to match?
Delay, originally called echo, is one of the oldest artificial effects, yet it can still be one of the most impressive — if used with care. Paul White explains the potential problems and how to avoid them.
The new Q-series USB MIDI controllers come in 32-, 49- or 88-note versions.
Paul White checks out the new features offered by the recent software update for Alesis' unique CD mastering processor.
Paul White meets the junior member of Alesis' family of Type II 20-bit ADAT recorders.
The ADAT format is more often the choice of personal studios than professional facilities — but the new M20 is set to change all that. Hugh Robjohns takes the 20-bit ADAT for a spin.
Paul White enjoys the creative potential of Alesis' distinctive and highly affordable new interactive effects processor.
Nicholas Rowland explains how you can take advantage of your computerised drummer to generate effects that sound anything but human...