Alesis

The Ion might be a latecomer to the world of analogue modelling, but this has afforded Alesis the opportunity of learning from all the virtual analogues already on the market. Free and radical, or negative particle? We find out...

Could DVD kill the CD but save the music industry? Cutting Edge wouldn't be surprised...

These active monitors can have their responses tailored to suit their environment when used with the powerful four-band DSP equaliser option.

Could you explain (slowly!) the basic principles of how a compressor works, and what each control does, the ratio control in particular?

The story of a multi-miked location recording session, from pre-concert setup to the post-recording software-controlled mixdown.

When the epic, studio-created drum sounds of the 1980s had to be translated to a stage setting, sample triggering from drum kits came to the fore — and our man Gavin Harrison began his personal quest for the ultimate setup...

Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.

Less really is more — the 'smaller' name suggests a cut-down follow-up to 2003's Ion synth, but in fact the Micron includes most of the spec of its predecessor, and has added effects and a built-in sequencer too.

I'm considering buying an Alesis ML9600 Mastering CD Recorder — but I was wondering if you would recommend this unit? Or should I keep it all based on the 'quiet' PC using my humble 32x speed CD recorder?

If I limit using a Alesis Nanocompressor when recording into my Emu 1820 soundcard, can I still limit the final mix with, say, Waves' L1 Ultramaximizer without any problems?