SOUND ON SOUND
Behringer’s latest synth release promises to deliver an Oberheim-inspired sound, but only occupies a tiny enclosure that’s small enough to fit into your pocket.
Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?
Behringer's new Xenyx 1003B mixer promises to provide a high-quality solution for live work, recording, streaming and podcasting, and even offers the option of running on batteries.
The latest additions to the XENYX mixer range are equipped with built-in stereo USB audio interfaces and onboard Klark Teknik effects processors.
What causes microphone feedback and what are the best ways to deal with it?
We test Behringer’s take on an underrated Korg classic.
Behringer’s version of the classic ARP 2600 could be the one you’ve been waiting for.
After recreating the Moog modular, Roland System 100M and ARP 2500 modules in Eurorack form, Behringer decided to tackle something more modern in the shape of a multi-engine digital oscillator module.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
Vladimir Kuzmin, designer of the Formanta Polivoks, will oversee production of a 'reimagined' Polivoks by Behringer.
