
Genelec introduce the 9402A System Management Device
The latest expansion of Genelec’s UNIO monitoring ecosystem expands AoIP support with Dante and AES67 options, and offers system management for everything from stereo to 9.1.6 Dolby Atmos rigs.

The latest expansion of Genelec’s UNIO monitoring ecosystem expands AoIP support with Dante and AES67 options, and offers system management for everything from stereo to 9.1.6 Dolby Atmos rigs.

Said to represent a new standard in uncompromised stereo and immersive headphone monitoring, Aural ID 2.1 promises to deliver truthful headphone mixes with accurate spatial positioning, depth and tonal balance.

The latest arrival to Genelec’s SAM (Smart Active Monitor) range join the flagship 8381A, and promises to deliver precise imaging and natural sound reproduction that's suited to medium-sized recording, mixing and mastering studios.

Genelec's new UNIO PRM (Personal Reference Monitoring) solution ensures reliable and consistent monitoring across multiple environments. In conversation with Sam Inglis, R&D Director Aki Mäkivirta and Regional Business Development Manager Andy Bensley explain all.

Announced at the 2024 IBC show, Genelec’s new UNIO Personal Reference Monitoring Solution combines their 9320A SAM monitor controller and Reference Measurement Microphone with their brand new 8550A Professional Reference Headphones.

Milan-based Molok Studios have just installed 7.1.4 Genelec SAM systems in two of their mixing rooms.

We take a deep dive into the innovative tech behind Genelec’s new flagship loudspeakers.

The 9401A brings ST2110, AES67 and RAVENNA AoIP networking capabilities to Genelec's range of Smart Active Monitoring monitors and subwoofers.

The upcoming 9320A Reference Controller will offer seamless integration between Genelec's Smart Active Monitor (SAM) series, GLM 5.0 speaker calibration software and Aural ID 2.0 headphone technology.

An image in Genelec’s GLM manual suggests placing a subwoofer in a position to send the direct sound waves right through the underside of the mixing desk. Is it perhaps not an obstruction issue because the sub‑80Hz frequencies aren’t so directional?