
Korg DL8000R
The world of multi-effects might be generally interdisciplinary, but Derek Johnson finds that there'll always be room for a specialist.
The world of multi-effects might be generally interdisciplinary, but Derek Johnson finds that there'll always be room for a specialist.
The latest in Korg's series of dance-friendly Electribe groove workstations is sample- rather than synthesis-based, but serves up the same beguiling blend of hands-on user interface and cutting-edge sounds and effects as its predecessors. Nicholas Rowland takes it for a spin...
Korg have seriously upgraded their original D16, adding a 'double O' for good measure. John Walden is both shaken and stirred...
Korg's new music workstation combines the synthesis, multi-effects and sequencing capabilities of the Triton with a new performance-based interactive music generation system — one that goes way beyond traditional arpeggiators and auto-accompaniment sections for sophistication and versatility. Simon Trask is SOS's KARMA policeman...
Korg have realised some of the sonic expansion potential of their Triton keyboards and module by releasing a number of PCM sample expansion boards. Simon Trask, who reviewed the Triton Rack for SOS a few months ago, listens to what they have to offer...
It may not be well known, but it is sought-after. Simon Lowther relates the history and mystery of an early 48-note polyphonic analogue synth and its well-connected family.
The Korg DDM110 was one of the first digital drum machines to reach the mass market. Paul Sellars rediscovers its distinctive, punchy sound and revels in the simplicity of its programming...