SOUND ON SOUND
Korg's new music workstation combines the synthesis, multi-effects and sequencing capabilities of the Triton with a new performance-based interactive music generation system — one that goes way beyond traditional arpeggiators and auto-accompaniment sections for sophistication and versatility. Simon Trask is SOS's KARMA policeman...
Korg have realised some of the sonic expansion potential of their Triton keyboards and module by releasing a number of PCM sample expansion boards. Simon Trask, who reviewed the Triton Rack for SOS a few months ago, listens to what they have to offer...
It may not be well known, but it is sought-after. Simon Lowther relates the history and mystery of an early 48-note polyphonic analogue synth and its well-connected family.
The Korg DDM110 was one of the first digital drum machines to reach the mass market. Paul Sellars rediscovers its distinctive, punchy sound and revels in the simplicity of its programming...
Korg rework their popular Volca Sample with some welcome additions.
The latest instrument from Japanese synth giants Korg aims to make FM synthesis more intuitive.
I recently started capturing my vinyl collection to DSD and hi‑res PCM. The result sounds great but when I examine the audio file in iZotope RX 8 Elements I see a band of ultrasonic noise. Should I be worried about this?
New workstation is derived from the flagship Kronos, and offers nine different sound-generation engines.
The iconic semi-modular monosynth is now available in four different colours.
