SOUND ON SOUND
Steinberg's Time Bandit is a Mac software package for processing Sound Designer II files off-line, using sophisticated time stretch and pitch shift algorithms. Long-time Sound Designer II user Paul White couldn't wait to get it home...
Niels Larsen, Steinberg's Sales and Marketing manager, lets you in on some crafty ways of using Cubase.
The latest upgrade to WaveLab Verson 1.6 includes CD writing in its arsenal. Martin Walker loeads up and dives in...
How do Steinberg's DSP software plug-ins for their WaveLab software, now at version 1.5, compare with the industry heavyweights? Paul White unearths his nastiest recordings to find out.
Paul Farrer rotates his baseball cap through 180 degrees, sharpens his digital knife, and gets sample-slicing with Steinberg's ReCycle.
Simon Millward kicks off a new series designed to give beginners a solid grounding in the use of Steinberg's flagship software package.
Paul White plugs his very real guitar into a virtual amp and gets down to playing some unimaginable music.
Panicos Georghiades and Gabriel Jacobs put Steinberg's new budget 'MIDI-plus-audio' sequencer for Windows through its paces.
This sophisticated new digital editor is up against such established software as Sound Forge and Samplitude Studio. Janet Harniman-Cook assesses whether Steinberg have built on their status in the sequencer field with a successful PC wave editing program.
This year's show-stealer at Frankfurt's Musik Messe, Steinberg's Cubase VST isn't just another 'MIDI plus Audio' sequencer — it adds the effects and processing options hitherto only available in expensive TDM systems, for the same price as the previous, non-audio version of Cubase. Is this the perfect desktop recording environment? Derek Johnson and Debbie Poyser find out.
