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Looking for a new plug‑in to fuel your creative endeavours?

Sennheiser have shrunk down their classic 421 — but have they retained everything that made it so popular?

Studio One Pro 7 is a solid upgrade with something for almost everyone.

Will Soyuz’s beautifully crafted four‑capsule mic help turn Ambisonics from a niche interest to a mainstream studio technology?

PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.

In the age of mixer‑less studios, monitor controllers are on the rise!

Have Wes Audio achieved the perfect union of analogue processing and digital control?

Toontrack’s latest EZX expansion brings classic and contemporary pop drums to EZdrummer and Superior Drummer.

This pedal‑format compressor doubles up as a serious studio tool.

Tascam’s new recording mixer is the most flexible Model‑series console yet.

Does this box of tricks live up to its billing as the Swiss Army Knife of audio cables?

Kii’s impressive new cardioid monitors prove there’s still room for innovation in loudspeaker design.

This combination of software and multi‑channel plug‑in overcomes some frustrating hurdles for those working in Atmos.

Can one bundle really meet all your mixing and mastering plug‑in needs?

Vocoflex imposes the timbre of one or more reference voices onto another — so just how convincing are the results?

Drum Workshop bring their considerable experience of drum hardware to the virtual world.

The P1 is a beautifully designed, two‑channel pedal interface that’ll bridge the gap between your modular and guitar worlds.

If someone asked you to design an uncompromising analogue Eurorack mixer, it would probably look like the Xcelon.

The new IR‑2 is one of the most compact amp modeller pedals out there.

Rating: ★ ★ ★ ★ 4/5 Stars. Capturing the sound of her personal Yamaha CP‑70 electric grand piano, Alicia's Electric Keys aims to cover "a vast range of tones that blend classic electric pianos with flexible modern soundscapes".