Keyboards

Is Arturia’s new KeyLab 88 MkIII the best 88‑note controller keyboard in its class?

How does Roland’s V‑Stage fare against the other big red stage keyboards in town?

The ET‑5 may have its roots deep in electronic musical history, but it’s very much a modern instrument.

With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.

Novation’s updated Launchkey range introduces improved creative features and better DAW integration.

Melbourne continue to push the (motorised) envelope with their latest polysynth.

‘One keyboard to rule them all’ is very much the order of the day with Arturia’s 3rd generation KeyLab.

PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.

Clavia have made their best‑in‑class stage piano even better!

A Moog polysynth is always a big event, but is the Muse the inspiration you’ve been waiting for?

Arturia’s PolyBrute has gained six voices and a lot more besides.

Far from being a cut‑down version of one of its bigger siblings, the TEO‑5 is a brand new Oberheim synth with a personality of its own.

Roland's RD‑08 is a stage keyboard with hidden depths that punches well above its price tag.

AstroLab puts Arturia’s considerable collection of classic instruments into a single stage keyboard.

Looking for an all‑in‑one playing and sequencing solution? Look no further...

If you thought the age of hugely ambitious polysynths was over, think again...

NI’s latest 88‑note controller introduces a keyboard with hammer‑action polyphonic aftertouch and a lot more besides.

Lurking within this humble arranger keyboard is a completely new form of synthesis...

Korg’s Wavestate and OpSix are back, and they’re bigger than ever...

In terms of pure bang for your buck, it doesn’t get much better than Yamaha’s CK keyboards.

AJH Synth’s first dedicated system reimagines what the Minimoog might be.