SOUND ON SOUND
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Some record producers may object to having their work remixed, yet according to producer Charlie Mallozzi and Marco Sabiu — better known as the Rapino Brothers — remixing is an acceptable alternative way of viewing a track. Here they explain why there will always be room for the remixer...
Can you trust your equipment? What will you do if it lets you down? David Mellor offers advice.
In the concluding part of this series, Simon Millward explains how to create MIDI effects like auto-pan, tremolo and gating using Logical Edit.
There have been plenty of goings-on in the Amiga world during the last four weeks. Paul Overaa spills the beans... Dr T's M package & OctaMED Pro v.6
In a synth market dominated by the Japanese and American manufacturers, it's a pleasant surprise to be looking at a synth made in Sweden — especially when it's as technologically advanced as the Nord Lead. Gordon Reid sees red...
With Atari no longer manufacturing computers, the mantle for further development has been picked up by C-Lab. Enter the Falcon Mk II...
Martin Russ brings you the latest Apple news. This month: new software upgrades, and how to surf the net from your mobile phone...Max 3.0 7 and Skinnyshort.
Let's face it: a lot of guitarists don't swear by MIDI, they swear at it. Craig Anderton provides a crash-course in MIDI for guitarists.
Paul White explains exactly what noise is and offers hints on keeping it to a minimum in your recordings.
Brian Heywood brings you the latest PC News, and looks back on three years of PC Notes.
The syncing of MIDI sequencers with multitracks is an important part of modern recording and can help you to make the most of a limited equipment budget. In the third part of this series, Paul White looks at the various ways of running multitrack tape and MIDI equipment simultaneously.
Though recording technology is turning increasingly to digital, there's still a ready market for the fun and easy to use analogue cassette multitracker, and Fostex have just released three new models. Derek Johnson looks at one of them.
Mike Collins gets to grips with GRM Tools and compares it to the latest incarnation of HyperPrism.
Two months ago, Korg unveiled their OASYS high-end physical modelling synth, and already, a low-cost spin-off is just around the corner. SOS staff were amongst the first to hear it.
Paul White looks at the latest incarnation of the LXP15 and finds that it neatly bridges the gap between Lexicon's budget products and their top-of-the-range pro reverb units.
Derek Johnson looks at a cost-effective way of cutting down the noise in your studio.
A synth editor program for your computer can expand your synthesis horizons and encourage you to discard those presets in favour of original creations. But what if you have more than one synth — surely it's going to cost a fortune buy an editor for each? Not necessarily, as Paul Nagle finds out.
Paul White turns up the volume, and discovers that Spirit's PowerStation delivers both quality and quantity.
Panicos Georghiades checks out Turtle Beach's most cost-effective PC sound card yet.