SOUND ON SOUND
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Down in the BBC vaults, we were told, they had stumbled upon a golden tape containing long lost recordings of The Beatles' radio performances. Richard Buskin spoke to the BBC Radio producer Kevin Howlett and Abbey Road Studios engineer Peter Mew to discover the truth behind the hype.
Since riding to fame on the crest of the late '80s DJ sampling wave, Tim Simenon has re-cast himself in a variety of moulds, not least those of producer and record label boss. Paul Tingen caught up with him to talk about his latest album and his brilliant career...
Looking to buy a replacement Atari computer? Vic Lennard gives some pointers...
Paul Nagle looks at adding MIDI and sounds to your PC setup.
Though Logical Edit is potentially one of Cubase's most useful features, it's also one of the most feared and misunderstood. In this three-part series, Simon Millward aims to explain it...
Equalisation is one of the most powerful tools in your sonic toolkit and can be your greatest enemy or your greatest ally in the battle for the perfect sound. David Mellor gives advice on how and when best to use it.
This month, Brian Heywood takes a look at the evolving role of the PC, and considers the parts CD-ROMs and the Internet have to play in the future of music shopping...
Paul Overaa's recent experiments seemed to have dropped a bit of a bombshell on the Amiga's tracker-based musical community. To find out what's happened, and pick up on all the other important Amiga-related news, just keep reading...
Want to set up a home studio but don't know where to start? In the first part of a new series, Paul White guides you through the creation and setting up of a basic home recording system.
Martin Russ brings you the latest Apple news and tips... Theatre Sequencer.
Songwriter David Bibbey continues his talk with Brian Jackson of EMI music US and steels himself for Brian's opinions on his demo...
Amidst the parched sands of the NAMM show, Paul White found welcome relief at Korg's Oasys of advanced musical technology, where the latest efforts of the company's US R&D team were unveiled.
A new bargain capacitor mic threatens to stop the drain of hard currency into the coffers of ailing ex-Eastern Bloc states. Paul White checks out the American-made CR3A.
The flood of quality effects units from Lexicon continues unabated. The Reflex takes the familiar Alex format, enhances its front panel editing, adds Lexicon's new Lexi II chip for improved sound quality, and tops it all off with comprehensive MIDI control facilities. Nick Magnus gets dynamic...
Paul white gets his hands on Mackie's long-awaited 3204 line mixer and discovers that it has hidden potential.
Paul White tries out Peavey's new rackmount mixer to find out if the tubes really make a difference...
Philip Rees are known for their distinctive red and black MIDI Thru and Merge boxes, which have found homes in many MIDI studios. Now they've turned their attention to tape sync, with the TS1. Derek Johnson checks it out.
The would-be samplist now has a wide range of samplers to choose from in the medium to high price ranges, but the sub-£800 zone has been looking decidedly bare — until now. Derek Johnson checks out the sampler that plugs the gap...
Paul White gets behind the wheel of Tascam's new pro DAT recorder and finds it delivers a comfortable ride.
Vestax have made the 6-track format their trademark, but their new hard disk recorder range is a major step up in terms of sound quality, professional options and technical innovation. Paul Wiffen gives it the once-over and finds himself going back for more.