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RME releases software update for current products
RME’s latest driver updates for Fireface UFX, UCX, MADIface XT, HDSPe MADI FX and Babyface include TotalMix FX ...
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RME’s latest driver updates for Fireface UFX, UCX, MADIface XT, HDSPe MADI FX and Babyface include TotalMix FX ...
The MADIface XT from RME, the world's first USB 3 audio interface, is now shipping worldwide. It's not just limited to USB 3 though, as the MADIface XT also has a PCI Express port for high-speed connection, and can even be connected to a Thunderbolt port, with the appropriate adaptor (sold separately).
Virtually every professional audio device that has multi-channel analogue or digital...
The latest addition to RME's OctaMic range of multi-channel preamps is designed to interface with digital recording systems of all stripes.
Can the iPad really be a serious recording tool? When you add a state-of-the-art audio interface from RME, quite possibly...
RME's interfaces get ever smaller — but this baby packs a powerful punch despite its miniature dimensions.
RME have established a solid pedigree for their extensive range of digital interfaces. Their latest model offers powerful functionality, and promises an unexpected extra for the future...
It may be small, but the RME Fireface UC is very powerful and boasts astonishingly low latency.
RME have launched a number of new products that will appeal to users at each end of the audio interface market. Let...
RME are well-known for their range of high-quality internal soundcards; in fact, they’re one of a handful of...
RME pass down some of the excellent features of their Fireface 800 to the more affordable 400 model, but have they cut any corners in doing so?
From simple beginnings as an offshoot of an electronics project, RME have established themselves as well-respected soundcard and recording interface manufacturers whose products usually offer that bit more than those of their competitors. We talk to their head of development about their recent innovations.
Two new half-rack boxes offer considerable operational flexibility and pristine sound in both the analogue and digital domains.
Until now, MADI interfacing has been restricted to high-end digital desks, but RME's affordable hardware brings it to the project studio market. If you need a lot of inputs or outputs within an ASIO environment, their soundcard and 64-channel MADI-to-ADAT converter could be the perfect choice.
RME's Fireface 800 brings together all of the company's expertise in developing audio hardware for computers, mic preamps and converters into one highly desirable unit. But can you really fit so much functionality into one interface without cutting corners?