SOUND ON SOUND
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KRK’s distinctive–looking Rokits have long been popular in home studios. How does the newest generation fare?
Kush Audio have a knack of making forward-looking products that exude vintage vibe — and this remarkable compressor is no exception.
After last month’s Leader column outlining the difference between products we’re asked to buy and products we actually need, I realised I’d missed out the really big one.
Many gear manufacturers offer courses in using their equipment, but what should you expect to gain from them, and what do they offer the seasoned live-sound veteran?
We get to grips with Live’s deceptively powerful Analog synth.
Take greater advantage of Drum Machine Designer in Logic Pro X by customising Smart Controls.
This page contains a directory of all media pages for June 2015.
One of the world’s most highly regarded mic-preamp designs is now available to go.
The ability to take criticism is a vital skill for the media composer. The ability to make sense of it is much harder to learn.
The long tradition of ‘testing’ songs out on the public has found an unlikely new home...
The quality and variety of orchestral string libraries continues to grow. Which one best suits your needs?
Unless you are using pre–recorded loops, there is still the rather significant task of building convincing performances and arrangements. Ensemblia attempts to give the user a helping hand.
Bloody Nightmare, as its name suggests, is a collection of over 550 horror–type noises aimed at sound designers who need to create chills and scares.
Recording 28 songs in five days is no mean feat. So what sort of results can you get, and what compromises are involved?
This month tracks from Kendrick Lamar, Roseanne Cash, Rihanna, Kanye West & Paul McCartney, Chick Corea and our Classic Mix - Miles Davis, 'So What'.
We go back to basics and turn up the heat on an indie-rock production.
A ground–up rethink of Ozone’s user interface is designed to make it less intimidating to home users.
Magix’s powerful Windows DAW gets another raft of new features in a comprehensive update.
I’ve recently become interested in manipulating phase while mixing recorded drums to see what that would do.