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Martin Walker tries out new VST Instruments and plug-ins, and reports on his personal experiences with a MIDI hardware controller.
DP3 is here - and there's a number of fundamental changes to the way the program looks and works. This month, we examine the new tool bar and graphical editing options and consider how to get the most out of your plug-in effects...
I have been getting conflicting advice regarding this issue from my local music stores and am turning to you in...
I have an AKG D770 microphone that I use to record from my guitar amp. I tried using the same mic to record samples into...
I read your review of the Soundcraft Spirit M‑series mixer and was somewhat surprised to read the statement: "I...
I've seen mentioned in Hugh Robjohns' monitor reviews that he owns PMC AB1 monitors and is happy with them. I've got a...
A producer recently came over to my home studio (some synths, PC with Soundblaster Live! Platinum soundcard) and helped me...
What software should I buy to create my own Akai‑format CDs? I use both a Mac G4 and a PC. I've built quite an...
Pro Tools is about to get Rocket Network compatibility, facilitating long-distance collaboration between Digi users. Also this month, we continue our series of inter-application transfer tutorials with a look at how to move Digital Performer tracks into Pro Tools.
The Blue Tube preamp accepts both mic and instrument inputs, and lets you add as much tube warmth as you like using real valve circuitry.
Big George writes an open letter to Tessa Jowell, the Government minister responsible for music.
US mic manufacturers CAD move in on the affordable end of the market with two new large-diaphragm models, one of which offers multi-pattern functionality. Hugh Robjohns evaluates the M177 and M179.
The Soundbeam's ability to translate physical movements into MIDI messages, in a sophisticated and customisable way, makes it unique among alternative MIDI control systems.
EMES have developed the first studio monitor to use a patented new single-point stereo speaker technology. Hugh Robjohns tests the Owl System and compares it with the conventional Violett HR on which it is based.
A new wave of dedicated DSP cards is helping computer musicians boost their plug-in power. The latest to appear is Universal Audio's UAD1, which offers recreations of vintage compressors as well as a high-quality reverb.
Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...
Hugh Robjohns continues SOS's series on surround sound with a detailed look at Dolby Pro Logic, the widely used surround system originally developed for use in the cinema, and considers how you might adapt your home recording setup to allow mixing in this format.