SOUND ON SOUND
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Rating: ★ ★ ★ ★ ★ 5/5 Stars. Vessels presents a broad range of hardware synth‑based timbres alongside variously patinated and ‘distressed’ re‑amped and re‑recorded sounds.
Colombian‑born Ela Minus was studying jazz performance as a drummer at Berklee College Of Music when she got a taste for electronic music.
Problem solving seems to find its way into so many of the things I do, and I’ve come to realise that rather than being a burden, it gives me a huge amount of pleasure.
These audio examples accompany our review of Polyverse’s Filterverse plug-in from SOS April 2025 edition.
These audio examples accompany the ‘Depth Of Field’ workshop article from SOS April 2025 issue, discussing the use of three reverb treatments.
These three audio files demonstrate various elements of the Modulator-based synth pad sound-design process that I describe in the main SOS April 2025 Cubase workshop article.
From busking to barbecues, gigging with no mains power is now an affordable reality. We check out the current options.
Join us for an exclusive behind-the-scenes look at the Dune: Part Two soundtrack with legendary mixing engineer Alan Meyerson.
Like classic fuzz pedals, this one sounds great. Unlike them, it’s easy to control and can play nicely in any setup!
With their latest Quantum interface range, PreSonus have swapped Thunderbolt for USB. Do they still maintain the same advantages?
Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?
Steve Dub shares insights into his workflow as a producer, discussing his ongoing work with The Chemical Brothers, his love of experimentation and how he adapts his methods to mixing in the box.
Composer, pianist and producer Martin Kohlstedt talks about his approach to combining piano and electronic instruments, improvisation in the studio and on stage, plus the work he is doing to reduce the carbon footprint of touring.
Rok Gulič, founder and CEO of OLLO Audio talks to Sam Inglis about the origins of the company, the launch of their brand new X1 headphones.
David Mellor discusses how to create custom effects in a DAW without relying on expensive plug-ins.
Based on cutting‑edge psychoacoustic research, Virtuoso v2 aims to deliver for headphone users the most convincing emulation of ‘speakers in a room’ to date.
Speaker‑cab innovators Barefaced add a dedicated power amp option to their full‑range speaker designs.
If you’re a solo performer who needs to control vocal harmonies and effects on stage, could this little box be all you need?
Want to awaken those sleepy synth pads? Then give Cubase 14’s Modulators a try!
Any reverb plug‑in can be used to create the perception of depth — and your mixes will be more engaging and three‑dimensional as a result.