SOUND ON SOUND
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Paul White switches on to a box which provides a dash of extra source for the smaller mixing desk.
As Lexicon introduce new processors to replace the acclaimed PCM80 and PCM90, Paul White takes a look at how these classic units have been further improved to create the PCM81 and 91.
Gordon Reid is bitten by the memory of a brilliant, but deeply flawed trio of Italian synthesizer designs that could have been the last word in affordable analogue.
We test ART's two compact tube processors to see if they sound bigger than they look.
The streamlined '90s exterior of Emu's Audity 2000 claims to hide a virtual modular hybrid, harking back to the company's own lost '70s analogue megasynth.
If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.
Long awaited and much anticipated, Novation's digitally-modelled analogue synth module is the company's most ambitionus offering yet.
Paul White studio-tests Sennheiser's new range of affordable vocal microphones to see if they really can give the established models a run for their money.
Paul White meets the junior member of Alesis' family of Type II 20-bit ADAT recorders.
Line 6 announce a software upgrade for their physical modelling guitar amplifier. Paul White plugs in, turns on and checks out the reborn AX2.
The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.
Sam Molineaux discovers an early techno pioneer thriving in the heart of Hollywood; living proof of the maxim 'what goes around comes around'.
Do you ever wonder who's responsible for the waveforms and sound patches in your favourite synth? If it's a Korg keyboard, then the answer might be Steve McNally, one of the team of sound developers.
The AD8000 is a high performance 8-channel, 24-bit A-D converter which can cope with an array of different digital audio formats, either in its basic form or with the addition of one of several optional cards.
Dave Lockwood tests this hi-tech guitar system which seeks to replicate the sound of many of the most coveted vintage and modern amplifiers on the market, with full digital multi-effects thrown in, and all in a convenient, portable, combo format.
Paul White tests Sony's diminutive powered monitor designed for desktop music and multimedia work. Can such a small box deliver the goods, and is the performance worth the price?
Multichannel PCI-card based digital audio recording systems are increasingly common these days, but not all of them focus on the quality of the onboard converters to the extent they should. Dave Shapton checks out a new card from far-sighted digital problem-solvers Aardvark that promises not to throw out the baby with the bathwater.
Paul White finds out whether Tannoy's new Reveals have anything to hide...
'That Martin Walker', you probably think as you leaf through your new SOS, 'he must be very happy man. He's always getting to look at the very latest music software — and for free!' But no, he's complaining about it. Here's why...