SOUND ON SOUND
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Software instruments are now becoming commonplace, but it's still an ambitious software developer who attempts to model an entire studio.
The future looks bright for those musicians who want to use desktop video software to produce their own promotional videos. Dave Shapton explains why.
Richard Buskin talks with two of Sweden's hottest writer-producers about their ongoing work as part of the Murlyn Music Group, including recent hit recordings by Jennifer Lopez, Samantha Mumba and Jessica Simpson.
Why is it that you can watch 20 TV shows a week about decorating your house, but not one about making music? Big George speculates.
Stephen Harris is the man behind some huge recent hits by U2, Santana and the Dave Matthews Band. Sam Inglis finds out how he made it big.
Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.
Paul White provides some practical tips for achieving better recorded bass guitar and bass synth sounds.
A little money spent on a hardware control surface for your PC can yield a dramatic improvement in ergonomics and ease of use. Martin Walker explores the options.
Last month we explained how to derive a Cubase tempo from freely played MIDI. This time, we look at how to extract tempo data from unmetricised audio...
Various companies are still putting development time and effort into creating 21st-century computers and add-ons based around the Atari operating system. Derek Johnson rounds up the breaking news.
Tweak the levels of individual sounds in a stereo mix, and learn how to match your song's tempo automatically to that of a sampled loop. Plus, the usual fistful of handy tips, including some ways to make your life easier using Logic's colouring options.
Martin Walker tries out new VST Instruments and plug-ins, and reports on his personal experiences with a MIDI hardware controller.
DP3 is here - and there's a number of fundamental changes to the way the program looks and works. This month, we examine the new tool bar and graphical editing options and consider how to get the most out of your plug-in effects...
I have been getting conflicting advice regarding this issue from my local music stores and am turning to you in...
I have an AKG D770 microphone that I use to record from my guitar amp. I tried using the same mic to record samples into...
I read your review of the Soundcraft Spirit M‑series mixer and was somewhat surprised to read the statement: "I...
I've seen mentioned in Hugh Robjohns' monitor reviews that he owns PMC AB1 monitors and is happy with them. I've got a...