Akai Force
Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation.
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Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation.
I previously owned a DPS12 and that was fairly simple, but the DPS24 manual talks about using 'groups' to route inputs to tracks. What is a group and how are they used?
Akai's new 24-track recording and mixing workstation continues the expansion of their DPS multitracker concept with technology derived from the company's renowned post-production machines.
Competition in the world of 16-track recording workstations is hotting up, and Akai's new DPS16 looks to be a prime contender, with its impressive user interface and 24-bit/96kHz capabilities. Derek Johnson and Debbie Poyser take it for a spin.
Akai build on their years of expertise in stand-alone digital recorders with a truly portable personal multitracker offering a digital mixer and 12 tracks of audio on a removable-media drive. David Mellor takes it away.
The latest in Akai's line of standalone hard disk recorders, which also includes 8- and 16-track models, sticks with the 4-track format of its predecessor, the DR4d, but adds 250 'virtual' tracks to increase the flexibility it can offer. David Mellor checks out this low-cost entry into the world of disk recording.
Though hard disk recording offers possibilities far beyond those achievable with magnetic tape, it often sports a vastly more complex user interface, which can alienate the tape-based faithful. But Akai's new 16-track hard disk recorder seeks to meet the tape heads halfway, David Mellor plays ambassador...