Mixing Atmos: David Kosten
David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...
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David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.
Immersive audio has huge creative potential for music production, but it can be hard to get your head around. Here’s the explanation you’ve been waiting for!
There's a lot more to 5.1 surround sound production than stereo with extra channels — new, bewildering terms and concepts abound. This month, we explain Metadata, Upmixing, Downmixing, and look at what that centre speaker actually does...
SOS's guide to the world of surround sound comes right up to date with the first of two looks at the modern 5.1 standard, and its use with DVD Video and DVD Audio discs.
Hugh Robjohns continues SOS's series on surround sound with a detailed look at Dolby Pro Logic, the widely used surround system originally developed for use in the cinema, and considers how you might adapt your home recording setup to allow mixing in this format.
Surround sound in one form or another has been a part of the film industry for many years, but the emergence of affordable digital technology has now pushed it into the domestic mainstream. Hugh Robjohns begins SOS's definitive guide to surround and its implications for the hi-tech musician.