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Getting Instrument Balances Right
Quick Tips
Paul White looks at achieving a good balance in your mixes.
Published February 1994
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Separation Without A Vocal Booth
Quick Tips
Bob Thomas offers a quick tip to achieve vocal separation.
Published February 1994
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Boosting Quiet Synths
Quick Tips
Paul White offers a tip for boosting gain when recording your synths.
Published February 1994
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Clarity & WaveTools
Amiga Notes
Paul Austin spotlights the latest in 16-bit Amiga recording as WaveTools and the latest incarnation of Clarity take the stage.
Published February 1994
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Creating Analogue Sounds On Digital Synths: Part 2
Recreating Analogue Strings
Nick Magnus continues his quest to emulate analogue sounds on digital instruments. This month, he shows you how to recreate analogue strings.
Published February 1994
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Cubase Lite Update & Gravis Ultrasound
PC Notes
This month Brian Heywood delivers news of an update to Cubase Lite, a way of downloading sounds to your Gravis Ultrasound card, and more...
Published February 1994
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Decibels Explained
Exploration
What are decibels and where did they come from? Paul White explains why equipment specs quote them, meters read them and operating levels conform to them.
Published February 1994
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Falcon 030
Atari Notes
Vic Lennard considers the place of Atari's Falcon 030 in the world of digital audio.
Published February 1994
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MIDI Guitar Workshop
Tips & Techniques
Paul White has been a devotee of guitar synths ever since Roland introduced the original GR500 back in the 1970s. Technology has come a long way since then, but there are still various techniques and tricks that can be adopted to make using these fascinating instruments a little less traumatic.
Published February 1994
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Multitimbrality Explained
Exploration
Although much more widely used than ever before, the ability of electronic instruments to produce numerous different sounds at the same time is still not always fully understood. Paul White explains the underlying concept of multitimbrality.
Published February 1994
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PC Jargon Explained
Tips & Techniques
Want to make music with a PC but don't know which one to choose? Brian Heywood provides advice to guide you through the maze of jargon in your quest to set up your ideal PC-based music system.
Published February 1994
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PowerPC & Custom Icons
Apple Notes
Taking over the Apple Notes hot-seat, Martin Russ delivers more news about PowerPC and explains how to create custom icons.
Published February 1994
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Sound Synthesis: Part 1
Primer
Though sound synthesis has a relatively short history, its progress has been rapid, with the result that the basic concepts of synthesis are now becoming lost in the mists of time — yet to effectively programme current synths, it really helps to know them.
Published February 1994
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Banco de Gaia
Interview | Producer
There's also life beyond Beyond, as WILF SMARTIES discovers from Toby Marks, one of Beyond's early artists, now graduating to independent chart success under the name Banco De Gaia.
Published February 1994
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Ensoniq TS12
Keyboard
Following hot on the heels of the TS10, the weighted 76-note keyboard and improved features of the TS12 make it a hot contender for 'top workstation'. David Crombie passes judgement.
Published February 1994
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Korg X3R
Workstation Synth Module
Julian Colbeck sizes up the new offering from the prolific Korg camp, the latest to use the company's long-running A12 synthesis system. Is it just the same old stuff in the new box, or does the X3R have enough Unique Selling Points to justify its existence?
Published February 1994
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LA Audio 4C
Quad Compressor Limiter
Whenever LA Audio design a new processor, they seem to take the Swiss Army Knife approach, kitting it out with a host of practical add-ons to increase its usefulness. So Paul White wasn't too surprised to find that the 4c is more than just a quad compressor...
Published February 1994
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Roland S760
16-bit Sampler
Roland's latest offering in the 16-bit sampler stakes is more compact, more expandable, and less expensive (by a fair margin) than its predecessors. But have they had to make significant omissions to achieve this? Paul Wiffen investigates.
Published February 1994
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Roland SH101 [Retrozone]
Vintage Synth
Derek Johnson waxes lyrical about a synth he wouldn't part with but is the cheapest he owns — Roland's last monosynth, the 1982-vintage SH101.
Published February 1994
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Tony Visconti: Making Music Should Be Fun
Production Lines
Recording music can, and should be, serious fun, according to producer Tony Visconti.
Published February 1994